Morgan, Evelyn De
English, 1855-1919 Painter, wife of William De Morgan. She was a pupil of her uncle, the painter Roddam Spencer Stanhope. In 1873-5 she attended the Slade School of Art, London. While there, she was awarded a Slade scholarship entitling her to financial assistance for three years. The scholarship required that she draw in charcoal from the nude, but she eventually declined it because she did not wish to continue working in this technique, although she excelled in it. She was influenced by the work of the Pre-Raphaelite artists and became a follower of Burne-Jones. In 1877 she first exhibited at the Grosvenor Gallery, London, and continued to show there thereafter. From 1875 she spent several winters in Florence working and studying; some of her work is reminiscent of Botticelli, possibly because of her visits to Florence. She often depicted women in unfamiliar ways though in a manner more in tune with a female perspective.
 1 2  
 
 Prev Artist   Next Artist 
Morgan, Evelyn De Hero Awaiting the Return of Leander oil painting


Hero Awaiting the Return of Leander
1885.
Painting ID::  19543 		Morgan, Evelyn De
Hero Awaiting the Return of Leander
1885.
   
   
     
Morgan, Evelyn De Dawn oil painting


Dawn
1886 Russell-Cotes Art Gallery and Museum, Bornemouth.
Painting ID::  19544 		Morgan, Evelyn De
Dawn
1886 Russell-Cotes Art Gallery and Museum, Bornemouth.
   
   
     
Morgan, Evelyn De Medea oil painting


Medea
1889 Williamson Art Gallery and Museum, Birkenhead.
Painting ID::  19545 		Morgan, Evelyn De
Medea
1889 Williamson Art Gallery and Museum, Birkenhead.
   
   
     
Morgan, Evelyn De Flora oil painting


Flora
1894.
Painting ID::  19546 		Morgan, Evelyn De
Flora
1894.
   
   
     
Morgan, Evelyn De Earthbound oil painting


Earthbound
1897.
Painting ID::  19547 		Morgan, Evelyn De
Earthbound
1897.
   
   
     
  1  2   
Prev Artist       Next Artist     
     Morgan, Evelyn De
     English, 1855-1919 Painter, wife of William De Morgan. She was a pupil of her uncle, the painter Roddam Spencer Stanhope. In 1873-5 she attended the Slade School of Art, London. While there, she was awarded a Slade scholarship entitling her to financial assistance for three years. The scholarship required that she draw in charcoal from the nude, but she eventually declined it because she did not wish to continue working in this technique, although she excelled in it. She was influenced by the work of the Pre-Raphaelite artists and became a follower of Burne-Jones. In 1877 she first exhibited at the Grosvenor Gallery, London, and continued to show there thereafter. From 1875 she spent several winters in Florence working and studying; some of her work is reminiscent of Botticelli, possibly because of her visits to Florence. She often depicted women in unfamiliar ways though in a manner more in tune with a female perspective.

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team